The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.

This exhibition presents a wide and varied selection of paintings by Anglada-Camarasa in order to present his oeuvre from a personal, romantic perspective that recalls the layout of the Museum in Pollença. It provides a unique opportunity to learn more about the work of Anglada-Camarasa through a different exhibition approach from how the work has been shown in CaixaForum until now.

On the occasion of the 70th anniversary of Otto Prutscher's death, the exhibition highlights the importance of his work for the development of Viennese Modernism. The show is dedicated to Josef Hoffmann's (1870-1956) in association with Otto Prutscher (1880-1949). Like Hoffmann an architect and designer, Prutscher was master of all materials used in the applied arts. He was an exhibition designer, a teacher, and a member of the most important reform movements in art from the Secession to the Wiener Werkstätte and the Werkbund.

The exhibition is dedicated to the Norwegian visual artist and architect Harald Krohg Stabell (1874-1963, who lived and worked in Ålesund during the reconstruction period after the city fire in 1904.
The The shows presents architectural drawings, watercolors and woodcuts with motifs from Ålesund and its surroundings.

The touring exhibition "Blue. The Colour of Art Nouveau" aims to explore the spirit of a period in which blue was a predominant thread. In the late nineteenth century, relating landscapes and the phenomena of nature to moods, so as to transmit the soul's hues and tonalities, ended up constituting a poetological aesthetic that became inscribed within the great movement of modernity, moving through Symbolism and witnessing the birth of the cinematograph.

This MAK exhibition presents the figure of Otto Prutscher (1880-1949) seventy years after his death, including the manifold roles he played in developing Viennese Modernism. Prutscher was an architect and designer who employed the entire variety of applied arts materials and was also an exhibition designer, teacher and member of all the major art reform movements, from the Secession to the Wiener Werkstätte and Werkbund.

The travelling exhibition "Modernisme and Flowers: From Nature to Architecture" focuses on how the decorative arts of Modernisme represented plants and flowers when used in construction. An exhibition is for the first time establishing a dialogue between the world of plants and Modernista architecture. The exhibition discourse has been divided into four areas. The first explains the creative process of artists when "capturing" the images of flowers. The second involves a journey through eight applied arts fields in architecture and their respective creation processes: ceramics, mosaics, ironwork, stonework, stucco, hydraulic mosaics, stained glass and plasterwork. The third offers an exhibition tour of flowers and plants that recreate a huge timeless garden. The exhibition concludes by looking at the difficulty of preserving the applied arts in construction. The exhibition at the Casa-Museu Lluís Domènech i Montaner in Canet de Mar has been enlarged with new pieces and also pays special attention to how flowers were represented in ceramics  in the buildings by the architect Lluís Domènech i Montaner.

The exhibition curators are Fatima López, Marta Saliné and Sergio de la Fuente, PhDs in Art History and members of the GRACMON research group at the University of Barcelona.

The exhibition retraces the career and the artistic and philosophic influences of the artist Giorgio de Chirico from Munich to Turin, then to Paris where he discovered the artistic avant-garde of his era, and lastly Ferrare. The connections between the painter - discovered by Apollinaire and subsequently backed by the art dealer Paul Guillaume - and the Parisian cultural and literary circles will be highlighted as never before.