La Pedrera presents the exhibition "The Nabis: Prophets of a New Art- 1888-1900" . It is the first show in Catalonia devoted solely to the Nabis, a highly influential group in French art at the turn of the nineteenth and twentieth centuries.

Displaying over 200 works, the exhibition shows the Nabis' diversity and creativity, and how the movement evolved from Post-Impressionism towards Symbolism, while maintaining strong links to Art Nouveau, and eventually blazing the trail for the twentieth century's early avant-gardes. Curated by art historian Isabelle Cahn, honorary painting curator at the Musée d'Orsay, which is co-organising the show.

The Barrié Foundation in La Coruña is hosting the exhibition "Lalique: Beauty in Art Nouveau and Art Déco", showcasing the work of this artist and jeweller (Ay, 1860 - Paris, 1945), a key figure in the history of European design at the turn of the century.

The exhibition presents almost 300 pieces, primarily jewellery and glassworks, alongside drawings and other objects, including mirrors and textiles. Curated by Véronique Brumm, director of the Lalique Museum (Wingen-sur-Moder), it brings together pieces from the Lalique Museum itself, the Calouste Gulbenkian Museum (Lisbon), and private collections.

Through twenty-four works by Ignacio Zuloaga (1870-1945) and twelve by Hermen Anglada-Camarasa (1871-1959), this exhibition lets us enjoy the coincidences and differences between these two painters. In their works, they both depicted the themes so in vogue in the Paris of the times, such as gypsies, Madrid's maja cultural costumes, and landscapes. Despite both artists having a strong and highly similar influences from Impressionism and Post-Impressionism, the divergences between their painterly languages and individual focuses were quite clear.

The Petit Palais presents the exhibition "Károly Ferenczy: Hungarian Modernity". Considered one of the most significant painters of the late nineteenth and early twentieth centuries, Hungarian artist Károly Ferenczy (1862-1917) is revealed by this retrospective to be a key figure of Modernity in Central Europe.

The display features almost 140 pieces, including landscapes, portraits, family scenes, biblical subjects, nudes and caricatures.

To commemorate the bicentenary of the Belgian-glass factory, the exhibition presents the extraordinary artistic production of Val Saint-Lambert between 1880 and 1914. During this period, the factory was influenced by Japonism and the rise of Art Nouveau. It showcases previously unseen pieces from public and private collections and explores the techniques developed at Val Saint-Lambert during its golden age. It is complemented by paintings, posters and furniture from the Belle Époque, sourced from the city's museum collections.

Tate Britain is hosting the exhibition "James McNeill Whistler", Europe's largest retrospective in three decades of this figure of modern art who was hugely influential, not least on the Art Nouveau style. Featuring more than 150 works including painting, drawing, printmaking and design, as well as previously unseen sketchbooks and notebooks, the display explores how Whistler (1834-1903) created his pioneering ethereal visions of modern life and largely foretold the future of modern art.